Kennedy Center REACH Reflecting Pool (photo: Elman Studio)
REACH Opens at John. F. Kennedy Center
This past September, the highly anticipated, the REACH, opened at the John F. Kennedy Center for the Performing Arts in Washington, D.C., with more than a thousand artists performing and more than five hundred free events during a two-week festival. Under three new sunlit pavilions and more than a hundred and thirty thousand square feet of new landscaped green space at the nation’s cultural capital, the REACH welcomed art lovers to its doors with sixteen full days of creativity in action, providing artists and audiences with the opportunity to experience art.
Kennedy Center REACH Ariel View (photo: Richard Barnes
The REACH represents the future of the arts, celebrating their essential role in American life and their unique ability to break down barriers, bringing people and communities together. Designed by pre-eminent architect, Steven Holl, as a home for non-traditional programming with an emphasis on active participation and access, the open informal spaces of the new expansion will draw visitors directly into the creative process to inspire new connections and collaborations between creators of multiple genres and disciplines.
The REACH Opening Festival featured themed days with programs ranging from master classes and workshops to participatory performances, interactive installations, hands-on learning activities, DJ sets and dance parties.
Local and national headliners included: Arrested Development, De La Soul, Kronos Quartet, Roomful of Teeth, The Second City, Thievery Corporation, Debbie Allen, Yalitza Aparicio, Bootsy Collins, Renée Fleming, Judah Friedlander, Robert Glasper, Angélique Kidjo, Alan Menken, Tiler Peck, Carrie Mae Weems, Mo Willems, and Dan Zanes, many of whom connected with audiences through performances, residencies and workshops for the creative spirit in us all.
Kennedy Center REACH Justice Forum
Kennedy Center President Deborah F. Rutter announced “The REACH Opening Festival as a celebration of incomparable artistic diversity. Inviting full participation, immersion, and discovery – the perfect way for people to experience what the REACH has to offer.”
Patrons at Kennedy Center REACH: (photo: Nicholas Karlin)
To kick off the opening, more than two hundred artists and the D.C. community took part in “The Future is Now and I am It: A Parade to Mark the Moment,” a campus-wide show of solidarity and pluralism conceived and curated by MacArthur Award–winning visual and performance artist Carrie Mae Weems and local D.C. nonprofit The MusicianShip.
The National Symphony Orchestra and conductor Thomas Wilkins joined soloists from Washington National Opera’s Domingo-Cafritz Young Artist Program, the Heritage Signature Chorale, and Stanley Thurston’s three hundred-voice, D.C.-based Community Chorus for an uplifting open-air performance of Beethoven’s monumental Ninth Symphony.
Bootsy Collins, Rock & Roll Hall of Famer and legendary bassist for James Brown and Parliament-Funkadelic, and The Chuck Brown Band offered a joyful celebration of Go-Go, and Underground Comedy presented some of the city’s best comedians and emerging talent in a Standup Showcase.
Welcome Pavilion at Kennedy Center REACH (photo: Richard Barnes)
The seminal trailblazers of the Kronos Quartet gave a pop- up concert in Skylight Soundscapes, a specially commissioned installation series by Kennedy Center Composer in Residence Mason Bates and Haitian-American composer Daniel Bernard Roumain.
During the Festival, each day had a special theme including: ‘Spotlight on Theater,’ where local and national theater communities came together for a day of inclusive, interactive, and innovative storytelling.
Marc Bamuthi Joseph, spoken-word artist, joined composer-violinist Daniel Bernard Roumain for “The Just and the Blind,” a multimedia treatment of racial profiling and the prison-industrial complex. West Philadelphia poet and playwright Dave Harris, an alumni of the Kennedy Center’s American College Theater Festival, attended a reading of “Everybody Black,” his award-winning 2019 play satirizing approaches to Black history.
Kennedy Center REACH Studio
Aaron Posner and Karen Zacarías, Helen Hayes Award–winning D.C. playwrights led a conversation about community and the creative process, and New York’s celebrated Broadway Collective offered acting, singing, and dancing master classes for young musical theater lovers.
Broadway Collective Workshop Class, (photo: Broadway Collective)
In a special session, Esperanza Spalding, singer, songwriter and bassist, and Kennedy Center honoree Wayne Shorter held a workshop for their new jazz opera, “Iphigenia,” which is scheduled to premiere at Kennedy Center.
Alan Menken, Oscar, Tony and Grammy winning artist, whose hit scores range from Broadway’s “Little Shop of Horrors” to Disney’s “Aladdin” and “Beauty and the Beast.” Presented ‘Songwriting’ on a special day devoted to classical music and Broadway.
The resident National Symphony Orchestra presented musical master classes: ‘How to Listen’ by pianist and Kennedy Center Artistic Advisor for Chamber Music Joseph Kalichstein, and ‘On Musical Arrangement’ with National Symphony Orchestra Principal Pops Conductor Steven Reineke.
Conductor Steven Reineke also conducted the National Symphony Orchestra in “Broadway Under the Stars: The Music of Alan Menken” featuring Megan Hilty, Adam Jacobs, Norm Lewis, Patina Miller and the composer himself. Mr. Kalichstein joined the gifted young musicians of the Abeo Quartet presenting chamber favorites by Dvořák and Debussy.
The day’s remaining highlights included “Skylight Soundscape Takeover” by Brooklyn’s National Sawdust, and a series of TED-style ‘Classical Talks,’ with musicians of different genres and backgrounds sharing their experiences.
Kennedy Center REACH Deck
DC Lovers Rock, a West Indian-style sunset dance party brought the entire sixteen-day festival to a euphoric close. Various DJs competed for the crowd in an authentic Jamaican Sound Clash, with performances headed by Bob Marley collaborator Junior Marvin, Cuban Hip Hop duo Las Krudas, and dancehall legend Sister Nancy.
On the grounds of Kennedy Center REACH: “Brushstroke” by Roy Lichtenstein, 1996-97, painted aluminum, 32’ high, lent by the Hirshhorn Museum and Sculpture Garden
Robert Glasper, four-time Grammy-winning pianist and producer, led a special performance residency with accounts of his Miles Davis tribute, “Everything’s Beautiful.” The Kennedy Center Youth Council also presented youth-focused and youth-led events in an all-day Teen Takeover. Artists’ scultures and installations including Deborah Butterfield, Sam Gilliam, Roy Lichtenstein, and Joel Shapiro were on display both indoors and out during the Festival.
On the grounds of Kennedy Center REACH: “Milk River” by Deborah Butterfield, 2019, painted bronze, 87” high, Gift of Samuel G. Rose
The John F. Kennedy Center for the Performing Arts and REACH is located at 2700 F Street, NW Washington, DC 20566, (202) 416-8000, reach.kennedy-center.org