William Esper Studio

“Above all, you must remain open and fresh and alive to any new idea.”
- Laurence Olivier

“In everything, without doubt, truth has the advantage over imitation.”
- Cicero

“Life is meaningless without art.” 
- Karen Finley

“The body does not have memory.  It is memory.” 
- Jerzy Grotowski

Shakespeare Class




Ronald Rand in Let It Be Art


Christ University Theatre
Above the Ordinary

Christ University Theatre’s Baptizer Festival in Bangalore – unique across all of India - hosted more than fifty-five teams, which performed for over fifteen hours this past February. It was a memorable moment for teams from across the country and across Christ University to create the magic of theatre.

Collaborative effort, creativity, coordinated organizing, willing volunteers, breathtaking moments, varied emotions, enthusiastic audience, encouraging faculty members, supporting staff – all  led by an open hearted visionary management led by Father Thomas and Father Varghese. Many things made the Blossoms finals and Baptizer Festival in 2014 a huge occasion for the University.

The Theatre-in-Education Department with the grace of God guiding the event, the success of the theatre events were due to the untiring effort of innumerable people. More than a hundred performers from across the country participated in the festival, presented in a Shudh Desi Style with an introduction to In-Bloom 2014.

Uma Sugantharaj, with Mohammed Arif ensured that the festival moved in the right direction. Student leaders, Sowmyashree from Deanery of Science. and Manish from Deanery of Commerce led the organizing team from the invitation day to the festive celebrations. The ever-willing support of Mr. Bhaskar and SWO team, Christ University Theatre was blessed with trained cheerful volunteers for every task including management student Nithin’s warm managerial skills, and the Krishna Bhat-led student team of photographers captured many unique theatrical moments as a photographic memoir of the Theatre Festival.

Judges Rakshith, Anitha, Upendra, Ronak and Anne ensured that the unique format of theatre which Christ University stands for was promoted during the Festival of Excellence and Service.

One of the highlights of the year’s festival was a curtain raiser performance and workshop for the organizing team by American actor, Ronald Rand, a visiting guest professor and international performing artist, he is the author of the best-selling book - "Acting Teachers of America" - the most comprehensive book ever published in America with a hundred of today's most influential acting teachers in the U.S. within its pages.

Another highlight of the Festival was a mime performance at the Valedictory function by Marcus Schmid, who had studied the art of mime with Marcel Marceau in Paris. Marcel Marceau, regarded for his peerless style pantomime, moved audiences without uttering a single word, and was known to the World as a ‘master of silence.”

Mr. Schmid, founder of his own company and conceptualized shows, uses shadows, acrobatics, sculpture and manipulation of objects to create his unique art. In 2003, he created “Le Coeur Suspendu,” which won him the “Grand Prix” of the international festival of mine of Perigueux-Mimos-France. He was invited by Christ University Theatre as part of its Theatre Capital/Helen O’Grady Theatre Movement in schools.

Christ University Theatre’s Baptizer Festival has been an attempt to create a format of theatre intervention which combines interested and willing students from across deaneries of the University to create a standard known as Christ University Theatre’s Above the Ordinary.•

"It is a law of life that man cannot live for himself alone. Extreme individualism is insanity. The world's problems are also our personal problems. Health is achieved through maintaining our personal truth in a balanced relation of love to the rest of the world. No expression is more emblematic of this relation than the creative act which we call art. No art by its very constitution typifies the social nature of that creative act more than the theatre. The theatre, to be fully understood and appreciated, must be seen as a manifestation of this process of interchange between society and the individual. It must be judged as a continuous development of groups of individuals within society, a development which becomes richer, acquires greater force and value as it grows with the society in which it originates. Only in this way can the theatre nourish us.  - Harold Clurman

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